FILMIC MARCH 2018

heade3r

PLAYLIST

Bear McCreary Overture The Cloverfield Paradox
Cliff Martinez Isn’t That Your Neighbour Game Night
Pascal Gaigne En Marcha Handia
Gabriel Yared Rearranging The Furniture By The Sea
Daniel Pemberton The Russians Molly’s Game
Herschel Burke Gilbert Main Title The Moon Is Blue The Moon Is Blue
Harry Gregson-Williams Dug’s Theme Early Man
Pascal Gaigne Plan De Fuga Plan de Fuga
Pascal Gaigne Tenua Un Amigo En Casa Plan de Fuga
Ludwig Goransson Wakanda Origins Back Panther
Ludwig Goransson Kilmonger Back Panther
Cliff Martinez Bastien Game Night
Carter Burwell Mildred Goes To War Three Billboards Outside Ebbing, Missouri
Carter Burwell My Dear Anne Three Billboards Outside Ebbing, Missouri
Georges Bizet Dat’s Love-Habanera Carmen Jones
Joe Paesano An Old Friend The Maze Runner: Death Cure
Hannes De Maeyer Miserere Mei Gangsta
Tom HolkenBorg Return To Manor Croft Tomb Raider
Johann Johannsson The Mercy The Mercy

 

 

 

 

 

 

 

 

 

 

 

 

 

NOSTALGIA composed by Laurent Eyquem – Review

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This may not be a soundtrack you play often but it deserves to be heard as a master class in moderation and because, in parts it’s beautiful.

The big things in our life usually do not surround itself in a cacophony of sound, things slow down giving us time to think. Laurent Eyquem has, I have no doubt, thought of this in his new score for Nostalgia. This is a slow, melancholy and rhythmic flow of music getting straight to the heart of emotion.

 The film is written and directed by Mark Pellingham and is a series of stories about love and loss and explores the meaning of objects, artifacts and memories which ultimately shape our lives. French composer Laurent Eyquem is the obvious choice to score this movie, known for his lyrical style, his scores reminiscent of John Barry’s music in which the sheer emotional impact of composition stops everything and you have to listen. This was evident in his score to Copperhead in 2013 which earned him the Breakthrough Film Composer of the Year by the International Film Music Critics Association.

Nostalgia is a short score. Light in it’s use of instruments, is piano lead with cello sections and in some cues it uses a lone trumpet, not on full blast but pulled back, melancholic. The only noticeable leitmotif is the rolling piano in the underscore. The Opening Theme is sublime, scattered piano notes lifted by the trumpet and completed by the cello. It’s flawless. The 11 cues are variations of the same but each one holds the attention. The Absence is particularly moving; almost ambient in the way the strings hold long notes and the piano is reduced to 5 plaintive notes. It conjures up empty space.

This may not be a soundtrack you play often but it deserves to be heard as a master class in moderation and because, in parts it’s beautiful.

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Laurent  Eyquem

TRACKLIST

1.  Opening Theme
2.  A Life In Pictures
3.  The Granddaughter
4.  Lives Saved
5.  The Decision
6.  Ready To Say Goodbye
7.  An Empty Life
8.  The Letters
9.  Emptiness
10. The Absence
11.Moving On

Label: Varese Sarabande

 

CAPSULE REVIEWS: Early Man, The Cloverfield Paradox , Game Night & Videoman

earlyman

EARLY MAN  composed by
Harry Gregson-Williams

Animation scores are always fun to listen to even if you don’t know what’s going on. It opens with the sweet and laid back Dug’s Theme. Prehistoric Prologue is mock horror of the finest order complete with ‘man choir’. There has to be a chase somewhere in most animations and here it’s Stadium Chase complete with those time gaps for the laps, which makes for the laughs. Royal Game Day is a joy and sounds like one of those Pathe News intro’s.
Mostly short cues, one of the longest being The Final Game , which of course is football. This gets the full orchestral treatment with the brassy heroic tones. Trophy Presentation repeats the soft, melodic leitmotif which runs through the score but here gives it a huge swell of emotion. A fitting end to a lovely soundtrack.
UNIVERSAL Label

Cloverfield

THE CLOVERFIELD PARADOX  composed by
Bear McCreary

The overture slams into play, literally. A deep musical slam surrounded by busy violins, it’s an exciting opener. Converging Overload soars with wondrous I do love the way McCreary uses strings and in A message For Ava they are very moving. McCreary is always working, score after score and this one is a worthy addition to his catalogue.

SPARKS & SHADOWS Label

game

GAME NIGHT composed byCliff Martinez
Cliff Martinez

Give me a synth scores anytime. Martinez’s score is great to listen to without breaks where it melds into one mighty fine electronic soundscape. Cue of notice has to be Isn’t That Your Neighbor. It’s fun score!
It’s a fun score!

 

WATER TOWER MUSIC Label

vid

VIDEOMAN composed by Wave Shaper
& Robert Parker
 
What an absolute blast this score is. It’s a Swedish comedy/Drama about a woman obsessed with the 80’s and a VHS collector. Takes me back to my own video collection as it captures that 80’s feeling so superbly complete with drum bracking.
LAKESHORE RECORDS Label