Filmic Radio Show February 2019

So I am a little late – there are soooooo many soundtracks out there to listen to! This months show features a UK classic score from 1969, a Jerry Goldsmith vinyl release, recent soundtrack releases and one of the last scores by the late Michel Legrand. Oh, and 3 listener requests!

 

ALL IS TRUE – Soundtrack Review

ALL IS TRUE
Composer Patrick Doyle

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Doyle is a talented and solid composer who’s scores I very rarely dislike. He reaches the emotional level of each film he works on and whilst this movie’s subject may give expectation of period music [Elizabethan]Doyle goes deeper. 

All is True is directed and starring Kenneth Branagh, whom Doyle has worked with many times. It deals with the Bards latter years where The Globe Theatre, which burnt down in 1613, bought forth his early retirement. The writer returns to his family in Stratford-Upon Avon [whilst writing he more or less lived in London].

The score starts The Globe, a slow and poignant track depicting the sorrow of the ruination of the theatre represented in descending string and chords and piano. Hamnet’s Grave follows and is equally sad telling again of deep the sadness of loosing his 11 year son to the plague. It’s a track so still yet beautiful.

The descending chords and short 5 note piano refrain are the running support themes to each cue making it easy to follow the musical story of the film.  The slow pace of the score continues in Southampton where the piano is intertwined with harp. The tone is gently upbeat in Love, Not Ambition but we return to lower registers in Plague, a sparse and harrowing cue. 

It’s the stillness of this soundtrack which makes it so commanding. It is a one level, bitter sweet soundtrack which would perhaps not be played that often but it fits perfectly into Doyle’s catalogue.

Rating: ***/*****

Label: Sony Classical

  1.  The Globe                       2:12
  2.  Hamnet’s Grave            2:31
  3. Ten Thousand More      2:19
  4. The Trial                          1:10
  5. The Visitation                 2:26
  6. Southampton                  1:53
  7. Love, Not Ambition       1:4
  8. Clever Lad                       1:37
  9. It Grieves Me                   1:32
  10.  A Little Boy                     1:27
  11. Stay A Moment                2:45
  12. Plague                                2:25
  13. What You Deserved        1:11
  14. The Ovation                      3:07
  15. Fear No More                   3:09
  16. Know A Bank                   2:44
  17. Fear No More [Reprise   2:24

Running Time 36:40

IFMCA 2018 Nominations

The votes are in. Below are the 2018 nominations for Best Scores. The International Film Music Critics Association will announce the winners of the 15th IFMCA Awards on February 21, 2019.

Shortly after this date, I will be publishing FILMIC TRACKS “Best of 2018”.

INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARD NOMINATIONS ANNOUNCED; JAMES NEWTON HOWARD LEADS THE FIELD WITH FOUR NOMINATIONS

FEBRUARY 7, 2019. The International Film Music Critics Association (IFMCA) announces its list of nominees for excellence in musical scoring in 2018, for the 15th annual IFMCA Awards. In one of the most open fields in IFMCA history, composer James Newton Howard received the most nominations with four, closely followed by Nicholas Britell, Alexandre Desplat, Ludwig Göransson, Justin Hurwitz, and John Powell, who each received three.

67-year-old American composer James Newton Howard is nominated for his work on two scores – “Fantastic Beasts: The Crimes of Grindelwald,” the second film in the Harry Potter spinoff series, and the controversial Jennifer Lawrence Cold War spy thriller “Red Sparrow” – and is one of the five nominees for Composer of the Year. IFMCA member Christian Clemmensen called Fantastic Beasts an “accomplished and mature fantasy score” which “sits comfortably with Howard’s accomplished genre works and competes favorably for a place amongst 2018’s best scores,” while IFMCA member Mihnea Manduteanu described Red Sparrow as “beautiful and passionate” and “melodic and furious”. Howard previously received IFMCA Score of the Year honors in 2006 for “The Lady in the Water”. His other major score in 2018 was for the lavish fantasy “The Nutcracker and the Four Realms,” which was inspired by Tchaikovsky’s seminal ballet.

39-year-old New York-born composer Nicholas Britell is nominated for Composer of the Year, and received two nods in the Drama Score category for two very different works – the sensitive 1970s drama “If Beale Street Could Talk” based on the novel by James Baldwin, and the bitingly satirical political drama “Vice,” which looks at the life and career of former US Vice President Dick Cheney. IFMCA member Kaya Savas said that Beale Street was “a gorgeous and deeply moving experience” which “explores the depths of love in all its shapes and forms”, while IFMCA member Jon Broxton said that Vice “keyed the audience in to the [satirical] joke while not overselling it to the point of obviousness,” and that Britell “made his score genuinely interesting and appealing from a musical point of view – something that many composers fail to do”.

57-year-old French composer Alexandre Desplat, who won the IFMCA Score of the Year award in 2008 for “The Curious Case of Benjamin Button,” is nominated in the genre categories for three of his uniquely varied scores: the quirky comedy western “The Sisters Brothers,” the historical thriller “Operation Finale” which looks at Jewish secret agents tracking down Nazis after the end of World War II, and director Wes Anderson’s typically idiosyncratic animated film “Isle of Dogs”. IFMCA member Olivier Desbrosses described Isle of Dogs as “a score rich in oriental percussions, original and ambitious”.

Ludwig Göransson, the 34-year-old Swedish composer, enjoyed a truly tremendous year in 2018 and is nominated for Score of the Year, Composer of the Year, and Best Fantasy/Sci-Fi/Horror Score for his groundbreaking work on the enormously successful Marvel super hero film “Black Panther”. IFMCA member James Southall called Black Panther a “very distinctive sounding score” which contains “expansive arrangements of the main themes” and “complex, multi-layered percussion”. Göransson’s other work in 2018 included a second massively popular super-hero film, “Venom,” the remake of the classic revenge thriller “Death Wish,” and the boxing drama “Creed II,” the eighth film in the long-lasting Rocky series.

34-year-old American composer Justin Hurwitz is nominated for three awards – Score of the Year, Drama Score, and Film Music Composition of the Year – all for his work on director Damian Chazelle’s “First Man,” which looks at the impact of the Apollo 11 moon landings on the families of men involved. Similarly, 55-year-old British composer John Powell is nominated for three awards – Score of the Year, Fantasy/Sci-Fi/Horror Score, and Film Music Composition of the Year – all for his outstanding work on “Solo”, the Star Wars spin-off movie looking at the early life of the smuggler and rogue Han Solo. Powell previously won the IFMCA Score of the Year Award in 2010 for “How to Train Your Dragon”. IFMCA members Asier Senarriaga and Óscar Giménez called Solo “a spectacular score that combines the classic ideas of Williams with the talent of Powell,” and proclaimed it “the score of the year”.

The other two nominees for Score of the Year are American composer Marc Shaiman, who is nominated for his work on “Mary Poppins Returns,” the lovingly-crafted sequel to the classic Disney musical; and American composer Mark McKenzie, who received his nomination for his stunningly beautiful score for the Mexico-produced animated film “Max and Me,” which looks at the life of the Polish saint Maximilian Kolbe, who was executed in Auschwitz.

The other two nominees for Composer of the Year are American composer Alan Silvestri, whose work in 2018 included popular and successful films such as “Ready Player One,” “Avengers: Infinity War,” and “Welcome to Marwen”; and Spanish composer Roque Baños, who showed an impressive amount of versatility and range in scoring films as diverse as the thrillers “The Girl in the Spider’s Web” and “The Commuter,” the sporting drama “The Miracle Season,” director Terry Gilliam’s literary fantasy “The Man Who Killed Don Quixote,” and three Spanish-language comedies: “Sin Rodeos,” “Miamor Perdido,” and “Yucatán”.

Each year the IFMCA goes out of its way to recognize emerging talent in the film music world, and this year is no exception. The nominees in the Breakthrough Composer of the Year category are a diverse and exciting group. Three of the five composers nominated are already famous in their own right for other artistic endeavors, but are being recognized here specifically for their first ever work scoring feature films; all three are British. Thomas Adès is renowned as one of the world’s leading contemporary classical and concert hall composers, but only wrote his first film score this year with his contribution to the historical literary drama “Colette”. Amelia Warner is an established actress and solo recording artist, but impressed the IFMCA membership with her debut score for the film about the life of the groundbreaking horror author “Mary Shelley”. Meanwhile, Thom Yorke is best known as the Grammy Award-winning lead singer of the alternative rock band Radiohead, and has now followed in the footsteps of his band-made Jonny Greenwood by writing his first score, for director Luca Guadagnino’s remake of the classic horror film “Suspiria”.

The final two composers nominated for Breakthrough Composer are exciting young talents from Spain. Iván Palomares is recognized for his sensitive score for the fantastical yet intimate father-son drama “En las Estrellas,” while Manuel Riveiro is nominated for his outstanding score for the period thriller “La Sombra de la Ley,” in which a dogged cop travels to Barcelona in the 1920s to take on an organized crime gang.

As it has in previous years, the IFMCA takes pride in honoring composers from across the film music world; in addition to the ones already mentioned, this year’s international nominees include South African composer Mark Chait (“Frontier of Love,” Television), Argentine composer Federico Jusid (“Watership Down,” Animation, and “La Catedral del Mar,” Television), Dutch composer Matthijs Kieboom (“Wild,” Documentary), Sweden-based composers Robert Parker and Waveshaper (“Videoman,” Comedy), and Turkish composer Pinar Toprak (“Tides of Fate,” Documentary).

Several other composers are receiving their first ever IFMCA Award nominations this year, including the aforementioned Kieboom, Parker, and Waveshaper, plus Benji Merrison (“Dynasties,” Documentary), Michael Nyman (“McQueen,” Documentary), and Will Slater (“Dynasties,” Documentary).

The International Film Music Critics Association will announce the winners of the 15th IFMCA Awards on February 21, 2019.


The list of nominees is as follows:

FILM SCORE OF THE YEAR

  • BLACK PANTHER, music by Ludwig Göransson
  • FIRST MAN, music by Justin Hurwitz
  • MARY POPPINS RETURNS, music by Marc Shaiman
  • MAX AND ME, music by Mark McKenzie
  • SOLO, music by John Powell

FILM COMPOSER OF THE YEAR

  • ROQUE BAÑOS
  • NICHOLAS BRITELL
  • LUDWIG GÖRANSSON
  • JAMES NEWTON HOWARD
  • ALAN SILVESTRI

BREAKTHROUGH COMPOSER OF THE YEAR

  • THOMAS ADÈS
  • IVÁN PALOMARES
  • MANUEL RIVEIRO
  • AMELIA WARNER
  • THOM YORKE

BEST ORIGINAL SCORE FOR A DRAMA FILM

  • EN LAS ESTRELLAS/UP AMONG THE STARS, music by Iván Palomares
  • FIRST MAN, music by Justin Hurwitz
  • IF BEALE STREET COULD TALK, music by Nicholas Britell
  • MARY, QUEEN OF SCOTS, music by Max Richter
  • VICE, music by Nicholas Britell

BEST ORIGINAL SCORE FOR A COMEDY FILM

  • CHRISTOPHER ROBIN, music by Geoff Zanelli and Jon Brion
  • CRAZY RICH ASIANS, music by Brian Tyler
  • MARY POPPINS RETURNS, music by Marc Shaiman
  • THE SISTERS BROTHERS, music by Alexandre Desplat
  • VIDEOMANNEN/VIDEOMAN, music by Robert Parker and Waveshaper

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

  • KING OF THIEVES, music by Benjamin Wallfisch
  • LA SOMBRA DE LA LEY/GUN CITY, music by Manuel Riveiro and Xavier Font
  • MISSION: IMPOSSIBLE – FALLOUT, music by Lorne Balfe
  • OPERATION FINALE, music by Alexandre Desplat
  • RED SPARROW, music by James Newton Howard

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

  • BLACK PANTHER, music by Ludwig Göransson
  • FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, music by James Newton Howard
  • JURASSIC WORLD: FALLEN KINGDOM, music by Michael Giacchino
  • READY PLAYER ONE, music by Alan Silvestri
  • SOLO, music by John Powell

BEST ORIGINAL SCORE FOR AN ANIMATED FILM

  • INCREDIBLES 2, music by Michael Giacchino
  • ISLE OF DOGS, music by Alexandre Desplat
  • MAX AND ME, music by Mark McKenzie
  • SPIDER-MAN: INTO THE SPIDER-VERSE, music by Daniel Pemberton
  • WATERSHIP DOWN, music by Federico Jusid

BEST ORIGINAL SCORE FOR A DOCUMENTARY

  • DYNASTIES, music by Benji Merrison and Will Slater
  • FREE SOLO, music by Marco Beltrami
  • McQUEEN, music by Michael Nyman
  • TIDES OF FATE, music by Pinar Toprak
  • WILD, music by Matthijs Kieboom

BEST ORIGINAL SCORE FOR A TELEVISION SERIES

  • AIQING DE BIANJIANG/FRONTIER OF LOVE, music by Mark Chait
  • LA CATEDRAL DEL MAR, music by Federico Jusid
  • LOST IN SPACE, music by Christopher Lennertz
  • WESTWORLD, music by Ramin Djawadi
  • YELLOWSTONE, music by Brian Tyler

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

  • 11:11 MEMORIES RETOLD, music by Olivier Derivière
  • GOD OF WAR, music by Bear McCreary
  • NI NO KUNI II: REVENANT KINGDOM, music by Joe Hisaishi
  • SPIDER-MAN, music by John Paesano
  • TORN, music by Garry Schyman

BEST ARCHIVAL RELEASE – NEW RELEASE OR NEW RECORDING OF AN EXISTING SCORE

  • BRAM STOKER’S DRACULA, music by Wojciech Kilar; album produced by Dan Goldwasser; liner notes by Tim Greiving; art direction by Dan Goldwasser (La-La Land)
  • THE BRIDE WORE BLACK, music by Bernard Herrmann; The Basque National Orchestra conducted by Fernando Velázquez; album produced by Jose M. Benitez and Edouard Dubois; liner notes by Frank K. DeWald; art direction by Nacho B. Govantes (Quartet)
  • DRACULA, music by John Williams; album produced by Mike Matessino and Robert Townson; liner notes by Mike Matessino; art direction by Jim Titus (Varèse Sarabande)
  • EL HOMBRE Y LA TIERRA, music by Antón García Abril; album produced by Jose M. Benitez and Miguel A. Órdóñez; liner notes by Miguel A. Órdóñez; art direction by Nacho B. Govantes (Quartet)
  • THE VIKINGS, music by Mario Nascimbene; The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald; art direction by Jim Titus (Prometheus/Tadlow)

BEST ARCHIVAL RELEASE – COMPILATION

  • CARTER BURWELL: MUSIC FOR FILM, music by Carter Burwell; The Brussels Philharmonic Orchestra conducted by Dirk Brossé; album produced by Marijke Vandebuerie and Valerie Dobbelaere; liner notes by Patrick Duynslaegher and Raf Butstraen; art direction by Stuart Ford (Silva Screen)
  • THE COMPLETE LONDON SESSIONS, music by Georges Delerue; album produced by Robert Townson; liner notes by Robert Townson; art direction by Robert Townson, Bill Pitzonka, and Bob Peak (Varèse Sarabande)
  • HARRY POTTER: THE JOHN WILLIAMS SOUNDTRACK COLLECTION; music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; art direction by Jim Titus (La-La Land)
  • THRILLER 2, music by Jerry Goldsmith; The City of Prague Philharmonic Orchestra conducted by Nic Raine; album produced by James Fitzpatrick and Leigh Phillips; liner notes by Jon Burlingame; art direction by Nic Finch (Tadlow)
  • A TRIBUTE TO MICHAEL KAMEN, music by Michael Kamen; The Malaga Philharmonic Orchestra conducted by Pablo Urbina; album produced by José M. Benítez and Chris Malone; art direction by Nacho B. Govantes (Quartet)

FILM MUSIC LABEL OF THE YEAR

  • INTRADA RECORDS, Douglass Fake, Roger Feigelson
  • LA-LA LAND RECORDS, MV Gerhard, Matt Verboys
  • QUARTET RECORDS, Jose M. Benitez
  • TADLOW MUSIC, James Fitzpatrick
  • VARÉSE SARABANDE, Robert Townson

FILM MUSIC COMPOSITION OF THE YEAR

  • “The Landing” from FIRST MAN, written by Justin Hurwitz
  • “Finale” from MARY, QUEEN OF SCOTS, written by Max Richter
  • “Overture” from RED SPARROW, written by James Newton Howard
  • “Mine Mission” from SOLO, written by John Powell
  • “The Adventures of Han” from SOLO, written by John Williams

The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing and broadcasting about original film, television and game music.

Since its inception the IFMCA has grown to comprise over 65 members from countries such as Australia, Belgium, Canada, China, Denmark, France, Germany, Greece, Ireland, Italy, the Netherlands, Norway, Poland, Romania, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.

Previous IFMCA Score of the Year Awards have been awarded to Jonny Greenwood’s “Phantom Thread” in 2017, Jóhann Jóhannsson’s “Arrival” in 2016, John Williams’s “Star Wars: The Force Awakens” in 2015, Hans Zimmer’s “Interstellar” in 2014, Abel Korzeniowski’s “Romeo & Juliet” in 2013, Mychael Danna’s “Life of Pi” in 2012, John Williams’s “War Horse” in 2011, John Powell’s “How to Train Your Dragon” in 2010, Michael Giacchino’s “Up” in 2009, Alexandre Desplat’s “The Curious Case of Benjamin Button” in 2008, Dario Marianelli’s “Atonement” in 2007, James Newton Howard’s “Lady in the Water” in 2006, John Williams’s “Memoirs of a Geisha” in 2005, and Michael Giacchino’s “The Incredibles” in 2004.

For more information about the International Film Music Critics Association go to http://www.filmmusiccritics.org, visit our Facebook page, follow us on Twitter @ifmca, or contact us at press@filmmusiccritics.org.

Filmic October 2018

king-of-theives

PLAYLIST:

Top of the Mountain Atli Ovarsson Ploey You never Fly Alone
Finding Mom Erik Friedlander The Thoroughbreds
Cappadocia AD50 Stephen MacKeon Pilgrimage
Diamond Head Hugo Winterhalter/James Darren Diamond Head
Operation Finale Alexandre Desplat Operation Finale
Mana One Harry Gregson-Williams The Meg
A New World Harry Gregson-Williams The Meg
Anonimo Veneziamo Stelvio Cipriani Anonimo Veneziamo
Ecologia Dell Delitto Stelvio Cipriani Ecologia Dell Delitto
The Great Pyramids [Overworld] Gareth Coker Minecraft: Egyptian Mythology
Stay With Me Melodie and 12 O’Clock Ghost Dog: Way of the Samurai
Ploey Overture Atli Ovarsson Ploey You never Fly Alone
The Chase Lalo Schifin Cool Hand Luke
Rainy Nights In London Brian Tyler Crazy Rich Asians
Do A Thing Herbie Hancock Death Wish
Paint Her Mouth Herbie Hancock Death Wish
Party People Herbie Hancock Death Wish
Media Takeout Ludwig Goransson Death Wish
Jordan Ludwig Goransson Death Wish
Reader’s Theme Benjamin Wallfisch King of Thieves
The Scheme Benjamin Wallfisch King of Thieves
Train Escape Benjamin Wallfisch King of Thieves
Text Ting Swing Brian Tyler Crazy Rich Asians

FILMIC SOUNDTRACK AWARDS 2017

SoundtrackAwards.jpg

2017 took it’s time to warm up that’s for sure but it did get there and of course there was the later/new year scores pushed through in time for the awards season. The category which seemed to ‘swell’ in size was TV which is hardly surprising given the cross platform ways you can watch the many channels on offer. My choices were clear cut this year with the only soul searching being between my number 1 and 2 Best Scores of the year, this did produce a lot of dithering and re-listening. Both scores painted ‘grand’ worlds and both composers reached high levels of opulence to fill the canvases. In the end the decision [partly because it was sooooo close I just had to make a decision] went to Daniel Pemberton’s score because he also wove in a twisted element to fine tune the madness of the films story. Well done Mr. Pemberton

The votes below were compiled for the International Film Music Critics Association who will be releasing the the list of nominations February 8th.

FILM SCORE OF THE YEAR

world

  1. All The Money In The World [Daniel Pemberton]
  2. Phantom Thread [Jonny Greenwood]
  3. Ali’s Wedding [Nigel Westlake]
  4. Murder On the Orient Express [Patrick Doyle]
  5. Rebel In The Rye [Bear McCreary]

BEST ORIGINAL SCORE FOR DRAMA

  • All the Money In the World – Daniel Pemberton
  • Phantom Thread – Jonny Greenwood
  • Murder On the Orient Express
  • Rebel In the Rye – Bear McCreary
  • The Ballad of Lefty Brown – H Scott Salinas

BEST ORIGINAL SCORE FOR COMEDY

index2

  1. Ali’s Wedding – Nigel Westlake
  2. The Hitman’s Bodyguard – Atli Ovarsson
  3. The Comedian – The Comedian – Terence Blanchard
  4. The Meyerowitz Stories – Randy Newman
  5. Wilson – Jon Brion

BEST ORIGINAL SCORE FOR ACTION/ADVENTURE/THRILLER FILM

index

  1. Contratiemopo – Fernando Velazquez  
  2. Good Time – Daniel Lopatin
  3. King Arthur and the Legend of the Sword – Daniel Pemberton
  4. Kings Bay – Bjonar Christoffersen & Herman Christoffosen
  5. Plan de Fuga – Pascal Gaigne

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

index

  1. Anabelle Creation – Benjamin Wallfisch
  2. The Last Warrior – George Kallis
  3. Get Out – Michael Abels
  4. Prevenge – Toydrum
  5. Alien Covenent – Jed Kurzel

BEST ORIGINAL SCORE FOR AN ANIMATION SCORE

index

  1. Captain Underpants – Theordore Shapiro
  2. Coco – Michael Gioachinno
  3. The Lego Batman Movie – Lorne Balfe
  4. Tade Jones 2: El Secreto De Rey Midas – Zavarias M. De La Riva
  5. Richard the Stork – Eric Neveux

BEST ORIGINAL SCORE FOR A DOCUMENTARY

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  1. Blue Planet 2 – Hans Zimmer/Jacob Shea/David Fleming
  2. The Putin Interviews – Jeff Beale
  3. Intenet To Destroy – Serj Tankian
  4. Waiting For Waldemar [though can’t see it listed here]
  5. Mark Felt: the Man Who Bought Doen The Whitehouse – Daniel Pemberton

BEST ORIGINAL SCORE FOR A TV SERIES
SILED4837-Harlots-cover-V2

  1. Harlots – Rael Jones
  2. Feud:Bette and Joan – Mac Quayle
  3. The Handmaid’s Tale – Adam Jones
  4. Taboo – Max Ritcher
  5. Emerald City – Trevor Morris

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
index

  1. Horizen Zero Dawn – Joris de Man/Niel Van der Lees
  2. Deformers – Austin Wintory
  3. Get Even – Olivier Deriviere
  4. Mario + Rabbids: Kingdom Battle – Grant Kirkhope
  5. The Invisable Hours – Chris Valasco

BEST NEW ARCHIVAL RELEASE – [RE-RELEASE OR RE-RECORDING]
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  1. Ben Hur – Miklos Rozsa
  2. Duel In the Sun – Dimitri Tiomkin
  3. Puppet On A Chain – Piero Piccioni
  4. On Golden Pond – Dave Grusin
  5. Twister – Mark Mancina

BEST NEW ARCHIVAL RELEASE – COMPILATION
R-9402353-1494746171-5637.jpeg

  1. Horror Hammer Classics 1958- 1974 – Silva Screen
  2. Live at the Barbican Debbie Wiseman – Silva Screen
  3. Captain Courageous:The Franz Waxman Collection – Intrada

NEW FILMIC SHOW October 2017

Sadly after 9 years with Radio Nowhere, the station that launched my Filmic movie music show, they have closed. I am so grateful to them, especially Christopher Laird, who let me run riot. It was a great ride.

So, after a few months off air I am back on Mixcloud. There is the link and the playlist..I’m always open to taking requests!!

Robin-Hood-Legacy-Collection

PLAYLIST

Roland of Eld/Junkie XL/The Dark Tower
The Lost City of Z/Christopher Spellman/The Lost City of Z
Kincaid’s Gold/Atli Ovarsson/the Hitman’s Bodyguard
Archer’s Processional/George Bruns/Robin Hood
All’s Well That Ends Well/George Bruns/Robin Hood
Apples/Volker Bertelman/In Dubious Battle
The Streets & The Streets 2/Danny Elfmann/Tulip Fever
Vai Gorilla/Franco Bixio-Fabio Frizzi/Vince Tempera/Vai Gorilla
The Tale of Viktor Navorski/John Williams/The Terminal
The Navy Gets the Gravy But the Army Gets the Beans/Jerry Livingston & Mack David/At War With The Army
Nothing Out There/Ry Cooder/Nothing Out There
Victoria & Abdul, The Peacock Throne/Thomas Newman/Victoria & Abdul
Gibbon Take/Monkey To the City/Ain’t That A Stinger
Another Puzzle/Christpher Young/Hellraiser
He’s A Pirate/Hans Zimmer & Kalus Badelt/Pirates of the Carribean Dead Men tell No Tales

 

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World Soundtrack Academy announces first wave of nominees for the 17th WSAwards

Published on 21/08/2017

This first wave of the 2017 World Soundtrack Award Nominees includes multiple Academy Award® winners and nominees, a past Discovery of the Year nominee, and the best of contemporary film and television music.

The nominees for Best Film Composer are 2017 Academy Award® winner Justin Hurwitz, AcademyAward® nominees Mica LeviNicholas BritellDustin O’Halloran and Jóhann Jóhannsson. The Television Composer of the Year nominees include upcoming & popular composers such as duo Kyle Dixon & Michael SteinRamin DjawadiRupert Gregson-WilliamsDave Porter and Mac Quayle.

As previously announced, The Lifetime Achievement Award will be presented to David Shire (‘The Conversation’, ‘All the President’s Men’) as part of the #WSAwards celebration of jazz this year. Following the award ceremony, a selection of Terence Blanchard’s work (‘Mo’ Better Blues’, ‘Malcolm X’, ‘25th Hour’) will be performed by Brussels Philharmonic and additional jazz soloists, conducted by Film Fest Gent’s music director Dirk Brossé. Film Fest Gent will release an exclusive album with Blanchard’s work the same week. Discovery of 2016 Joe Kraemer (‘The Way of the Gun’, ‘Jack Reacher’, ‘Mission: Impossible- Rogue Nation’) will also be performing that evening.

Film Fest Gent’s artistic director Patrick Duynslaegher about the selection: “This year’s nominations reflect the incredible wide range of style and talent in contemporary scoring for film and television, with a great line-up of new and established composers to celebrate the art and craft of film & television music.”
THE NOMINEES ARE: 

Best Film Composer of the Year
Nicholas Britell: ‘Moonlight’
Justin Hurwitz: ‘La La Land’
Jóhann Jóhannsson: ‘Arrival’
Mica Levi: ‘Jackie’, ‘Marjorie Prime’
Dustin O’Halloran: ‘Lion’ (co-composed by Hauschka), ‘In the Shadow of Iris’ (co-composed by Adam Wiltzie)

Best TV Composer of the Year
Kyle Dixon & Michael Stein: ‘Stranger Things’
Ramin Djawadi: ‘Westworld’, ‘Prison Break: Resurrection’, ‘The Strain’
Rupert Gregson-Williams: ‘The Crown’
Dave Porter: ‘Better Call Saul’, ‘The Blacklist’, ‘The Blacklist: Redemption’
Mac Quayle: ‘Feud: Bette & Joan’, ‘Mr. Robot’, ‘Scream Queens’

Best Original Song written directly for a Film
Can’t Stop the Feeling
from ‘Trolls’
music & Llyrics by Justin Timberlake, Max Martin and Shellback
performers include o.a. Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden and Zooey Deschanel

City of Stars
from ‘La La Land’
music by Justin Hurwitz
lyrics by Benj Pasek and Justin Paul
performed by Ryan Gosling and Emma Stone

How Far I’ll Go
from ‘Moana’
music & lyrics by Lin-Manuel Miranda
performed by Auli’i Cravalho

Never Give Up
from ‘Lion’
music & lyrics by Sia Furler and Greg Kurstin
performed by Sia

Runnin’
from ‘Hidden Figures’
music & lyrics by Pharrell Williams
performed by Pharrell Williams

The World Soundtrack Academy aims at supporting film and television music, sound design, composers and its worldwide promotion. In 17 year’s time, the membership of the WSAcademy has grown into a group of 370 international film music professionals deciding on the nominees through several rounds of voting. The Academy will announce the nominees for Discovery of the Year, Best Original Score for a Belgian Production and the Sabam Award for Best Young International Composer mid-September. The audience can also nominate their favorite score by voting for the Public Choice Award on the WSAwards website until September 9th 2017.

17th World Soundtrack Awards 
18 October 2017 – WSAwards Gala & Concert: Tickets
19 October 2017 – Symphonic Jazz Concert: Tickets