This is by far one of the most interesting of Wallfisch’s scores. Given the eerie subject matter – a company’s CEO is in an idyllic but mysterious ‘wellness centre’ in the Swiss Alps. An employee, sent to retrieve him, who soon realises that the spa treatments are not what they appear to be – the scope is quite wide. And with cues entitled .. Terrible Darkness, Nobody Ever Leaves and Clearly He’s Lost His Mind, Wallfisch has definitively delivered.
It opens with a young female voice humming a short refrain which we hear throughout the score and which has an old world feel about. Rites is a strong cue, dark and ethereal with chorus and very deep mail voices [such as in Buddhist chants], these seem to rise from another world. Feuerwalzer is a waltz intertwined with a full orchestral dramatic cue. Clearly He’s Lost His Mind starts with music that would have suited the end piece in The Shining. The end cue, Volmer’s Lab has a childlike feel, almost a message after the mayhem trying to assure us that everything is well. Volmer Institut has an unexpected beauty about it whilst Lipstick is almost indescribable and sounds like continued distorted volume!
This is an odd score for a very odd film but it’s totally compelling. The mix of orchestral works with some of the darkness sounds I have ever heard on a soundtrack, give this score a overwhelming sense of fear and madness.
1. Hannah And Volmer (4:35)
2. Nobody Ever Leaves (1:49)
3. Bicycle (2:00)
4. The Rite (3:42)
5. Feuerwalzer (3:44)
6. Magnificent, Isn’t It? (2:11)
7. Actually I’m Feeling Much Better (1:59)
8. Clearly He’s Lost His Mind (2:49)
9. Our Thoughts Exactly (1:03)
10. Volmer Institut (3:02)
11. Terrible Darkness (3:18)
12. Lipstick (4:21)
13. Waiting (0:55)
14. Zutritt Verboten (3:38)
15. There’s Nothing Wrong With You People (1:25)
16. Lockhart’s Letter (2:12)
17. Volmer’s Lab (3:32)
18. I Wanna Be Sedated – Mirel Wagner (3:38)