Now that the Oscars have signaled more or less, the end of the awards season I would like to list a few scores which either didn’t appear in any nomination lists or if they did, didn’t get the gong they deserved. It was a strange year for scores in as much as it started so slow and then [as always I guess] they came in their droves at the end of the year. Comedy scores were many and there was so much good stuff in the endless TV scores on offer.
I have waxed lyrically about some of these scores in the Reviews section of this blog and played tracks from all scores on my Filmic radio show on Radio Nowhere so if you have some time on your hands and a comfy seat check out some of these brilliant scores which didn’t get the attention they deserved.
In no particular order:-
Ant Man – Christophe Beck
The Man From Uncle – Daniel Pemberton
The Fantastic Four – Marco Beltrami & Philip Glass
Aesino’s Inocentes – Pablo Cervantes
Broken Horses – John Debney
Desert Dancer – Benjamin Wallfisch
Far From The Madding Crowd – Craig Armstrong
Lost Rover – Johnny Jewell
A Little Chaos – Peter Gregson
Listen Up Philip – Keegan DeWitt
Ex Machina – Ben Salisbury & Geoff Barrow
The Duke of Burgundy – Cat’s Eye’s
Gold Coast – Johan Caroe & Lasse Martinussen & Angelo Badalameti
It’s not surprising that Ryan Gosling’s favourite film is East of Eden. Gosling himself tends to play disassociated characters, they watch more than talk. After working with directors such as Nicolas Winding Refn [Only God Forgives] Derek Cianofrance [Beyond The Pines & Blue Valentine], both of whom have contemporary vision – it’s no wonder he wants to use his influences and write and direct. His first film Lost River has received mixed reviews but I am intrigued by it and it’s soundtrack by Johnny Jewell who did the scores to Bronson and Drive.
The film is about a teenager who discovers a road which leads to to secret underwater town whilst his mother is swept into a dark underworld. The genre for the film is Drama and Fantasy and Jewell’s sound wall definitely caters for both.
It opens with a song called Tell Me sung by Irish actress Saoirse Ronan who is also in the film. She sings it in the style of Lana Del Ray and it does sound little like the song Big Eyes. This is followed by Yes [Love Theme] by electronic band Chromatics which Jewell is a member of.
Jewell’s first track is echo’s which is quite slow and beautiful but with a subtle dark undertone. Back to another song this time sung by one of the film’s actors Ben Mendelsohn. Cool Water is sang a little off-key but with feeling which adds to the weirdness creeping into the score. The Dead Zone begins with a dark note glissando which lays flat for a while, percussion then heightens the feeling that you’re drifting. At 6 minutes 47 seconds long the track doesn’t chill as much as puts you somewhere else and you’re just going along with it. Strange I know but then this whole score is wonderfully strange.
The Chromatics sing a very wispy version of Blue Moon. Carousel includes what sounds like pipes and a school bell to create another listenable oddity. If instrumental singles were released like they were a few years ago then Chromatic’s Yes [Symmetry Remix] would be a contender for the top spot. Spellbound does chill with it’s dull throb in the background and long held notes, there is a sound like the wind and another bell punctuates this almost silent track.
The cue Death is sparse but eerie and Franky’s Theme has a 3 note percussion rift running it through it with a distant drum and very little else except a low electronic hum underneath. It makes you feel as if you are inside your own dream desperately trying to get out. All this ends with the ambient Yes [Lullaby from Lost River], a melodic childlike theme.
With soundbites from the film this is quite a long soundtrack but the more I listened to it the further I wanted to explore it. It’s enigmatic and it pulls you in but you do end up feeling that you don’t necessarily have a better understanding of the film itself by listening to it’s score. It’s not a soundtrack I will listen to over and over again but it deserves attention for the strange and other-worldly atmosphere Jewell has successfully created.
1. Tell Me (Featuring Saoirse Ronan) – Johnny Jewel
2. Yes (Love Theme From Lost River) – Chromatics
3. Shell Game – Glass Candy
4. Echoes – Johnny Jewel
5. The Big Bad Wolf (Featuring Rob Zabrecky) – Johnny Jewel
6. Cool Water (Featuring Ben Mendelsohn) – Johnny Jewel
7. Deep Purple – Billy Ward & His Dominoes
8. Bullytown (Featuring Matt Smith) – Johnny Jewel
9. The Dead Zone – Johnny Jewel
10. Blue Moon – Chromatics
11. A Bloody Good Time (Featuring Eva Mendes & Landyn Stewart) – Johnny Jewel
12. Behind The Mask – Desire
13. Underwater – Johnny Jewel
14. Barnum’s Steam Calliope (Featuring Matt Smith) – Sunset Four
15. Carousel – Johnny Jewel
16. Hope – Johnny Jewel
17. Yes (Symmetry Remix) – Chromatics
18. Deep Purple (Featuring Mary Dugan) – Larry Clinton
19. The Goddess Of Gore (Featuring Rob Zabrecky) – Johnny Jewel
20. Moliendo Café – Lucho Gatica
21. Echoes (Reprise) – Johnny Jewel
22. Ascension – Johnny Jewel
25. Tell Me (Jukebox Version) – Johnny Jewel
26. Slow Motion – Johnny Jewel
23. Spellbound – Johnny Jewel
24. Burning Houses (Featuring Reda Kateb) – Johnny Jewel
27. Communion (Featuring Rob Zabrecky) – Johnny Jewel
28. Carousel Pt. 2 – Johnny Jewel
29. Wandering – Johnny Jewel
30. Deep Purple (Reprise) – Larry Clinton
31. Reunion – Johnny Jewel
32. Death – Johnny Jewel
33. Rat, Face, & Bully (Featuring Saoirse Ronan & Matt Smith) – Johnny Jewel
34. Candlelight Burns – Johnny Jewel
35. Fossil Fuels – Johnny Jewel
36. Franky’s Theme – Johnny Jewel
37. Yes (Lullaby From Lost River) – Chromatics